“One of Australia’s most intriguing postmodern voices.”
Mark Swed
Los Angeles Times


“One of Australia’s most intriguing postmodern voices.”
Mark Swed
Los Angeles Times


“One of Australia’s most intriguing postmodern voices.”
Mark Swed
Los Angeles Times
“A clever and entertaining piece... Sophistication of technique, mastery of orchestration, nostalgia and genuine affection - all play their part in Koehne’s tribute.”
Richard Dyer
Boston Globe
“Graeme Koehne has led the way and found greatest success, not by a crass selling out to popularism but by integrating popular sounds with classical forms and techniques.”
Graham Strahle
The Adelaide Review
“Breathtaking, unashamedly tonal, brilliantly orchestrated and immediately appealing.”
Koehne Feature
Wise Music Classical, London
“... if Graeme Koehne’s Inflight Entertainment is not the most drily intellectual work the Melbourne Symphony will tackle this year, it’s certainly the coolest.”
Alison Barclay
Herald Sun
“... sent a ripple of delight through the audience... unmistakable Koehne, full of irresistible Latin beats and tongue-in-cheek dramatics.”
Harriet Cunningham
Sydney Morning Herald
“Graeme Koehne wrote the symphonic material, and his ability to fuse nostalgic melodies with his modern sense of orchestration is an asset to this dance musical.”
Xenia Hanusiak
Herald Sun
“Drawing on the rhythmically propulsive energy of Latin American popular styles ... goading the listener into an intoxicating dance ... a wild and raucous vehicle for James Morrison.”
Peter McCallum
Sydney Morning Herald
“Drawing on popular music, film scores and dance styles, Koehne creates a distinctive contemporary orchestral language.”
Naxos