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A singular presence in contemporary music,

where classical form meets modern culture.

Koehne
One of Australia’s most intriguing postmodern voices.

Mark Swed

Los Angeles Times

Graeme Koehne
graeme koehne

media

One of Australia’s most intriguing postmodern voices.

Mark Swed

Los Angeles Times

A clever and entertaining piece... Sophistication of technique, mastery of orchestration, nostalgia and genuine affection - all play their part in Koehne’s tribute.

Richard Dyer

Boston Globe

Graeme Koehne has led the way and found greatest success, not by a crass selling out to popularism but by integrating popular sounds with classical forms and techniques.

Graham Strahle

The Adelaide Review

Breathtaking, unashamedly tonal, brilliantly orchestrated and immediately appealing.

Koehne Feature

Wise Music Classical, London

... if Graeme Koehne’s Inflight Entertainment is not the most drily intellectual work the Melbourne Symphony will tackle this year, it’s certainly the coolest.

Alison Barclay

Herald Sun

... sent a ripple of delight through the audience... unmistakable Koehne, full of irresistible Latin beats and tongue-in-cheek dramatics.

Harriet Cunningham

Sydney Morning Herald

Graeme Koehne wrote the symphonic material, and his ability to fuse nostalgic melodies with his modern sense of orchestration is an asset to this dance musical.

Xenia Hanusiak

Herald Sun

Drawing on the rhythmically propulsive energy of Latin American popular styles ... goading the listener into an intoxicating dance ... a wild and raucous vehicle for James Morrison.

Peter McCallum

Sydney Morning Herald

Drawing on popular music, film scores and dance styles, Koehne creates a distinctive contemporary orchestral language.

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